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The Singer of Tales in Performance
发布日期:2012-05-10  作者:John Miles Foley
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  The Singer of Tales in Performance. Bloomington: Indiana University Press.

  A volume that continues the work of Traditional Oral Epic (1990) and Immanent Art (1991) by exploring the connections between oral-formulaic and performance-based theories as they apply to oral and oralderived texts. Chapter 1 (“Common Ground”) begins the laying of a theoretical foundation for the study by elucidating points of contact between Oral-Formulaic Theory and the Ethnography of Speaking/ Ethnopoetics approaches. Chapter 2 (“Ways of Speaking, Ways of Meaning”) then extends this foundation to incorporate Receptionalism and the concepts of performance arena, register, and communicative economy, while Chapter 3 (“The Rhetorical Persistence of Traditional Forms”) explores the ways in which oral traditional art can retain performance-based meaning even past the point of transition into written 698 R. SCOTT GARNER form. The last three chapters (“Spellbound,” “Continuities of Reception,” and “Indexed Translation”) then apply this established theoretical framework to the Serbian tradition of charms (bajanje), the Homeric Hymn to Demeter, and the Old English Andreas.

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文章来源:Oral Tradition

John Miles Foley   教授 国外学者
国际著名的史诗学者、古典学者和口头传统比较研究专家。美国密苏里大学威廉姆•拜勒杰出人文学术教授,校董会古典学和古英语教授,口头传统研究中心主任,《口头传统》学刊创刊人和主编,e研究中心主任……



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